Poetry
At one meeting, the task was to find a poem that would inspire a short story and then present it.
The theme for this meeting reminds me of what I call “One of the big problems of my life”. As a writer and reader since childhood, born in Germany in 1958, married to an Irish man and living amongst more or less British-socialised friends on a Greek island, I experience this problem, which I say in a non-offensive way, almost daily. What is it about?
The first poetic English literature I´ve read, still being a child, was that written by Lord Byron, the man who lived in the area where I live today, and who had the same view from his kitchen window to Mount Aínos as I have today.
I also read Shakespeare, although in German translation; I would have read the Brontë-sisters, if it had interested me, or Jane Austen for the same reason. I even tried James Joyce´s Ulysses – exactly: pages one to four. After that, I gave up.
I´ve read Robinson Crusoe, visited Treasure Island, indulged in Rikki-Tikki-Tavi and enjoyed Pygmalion.
On the other side:
Neither my husband nor most of the English people I met would have read a poem or a drama by Goethe (except “Faust”, perhaps), a novel by Christa Wolf or poems by Eva Strittmatter or Rainer Maria Rilke.
This is, as I call it, the “Beatles-Effect”: All of us Germans, either from the East or the West, know the Beatles, but only a handful of non-Germans would know, for example, any German, especially East German, Musicians or songs … okay, except the 99 Balloons by Nena. The same goes for literature.
This is not an accusation, just an observation.
After a long period of contemplating, for this challenge I chose a poem by the still very popular Austrian poet Rainer Maria Rilke (1875 – 1926).
Since none of the available translations on the Internet satisfied me in meaning and in form, I made my own English translation, the first I have ever done. Translating this Rilke poem was also one of the hardest things I have ever done.
Here is the poem, in as much the same rhythm and meaning as Rilke wrote it:
The Swan (translated from German by Marina Müller McKenna)
To go forth through what remains undone,
Through this heavy toil, and as if bound,
Likes the clumsy treading of the swan.
And our dying, our no-longer-apprehension
Of the ground on which we daily stand
Likes him, lowering with anxious tension
into waters: gently, happily receiving,
which, replenishing and still preceding,
do retreat beneath him, wave by wave.
while he, infinitely quiet and sure,
regally and ever more mature,
deigns to pass through, ever more composed.
R.M.Rilke Der Schwan
Diese Mühsal, durch noch Ungetanes
schwer und wie gebunden hinzugehn,
gleicht dem ungeschaffnen Gang des Schwanes.
Und das Sterben, dieses Nichtmehrfassen
jenes Grunds, auf dem wir täglich stehn,
seinem ängstlichen Sich-Niederlassen —:
in die Wasser, die ihn sanft empfangen
und die sich, wie glücklich und vergangen,
unter ihm zurückziehn, Flut um Flut;
während er unendlich still und sicher
immer mündiger und königlicher
und gelassener zu ziehn geruht.